This type of hatred on the part of DNA is just proof of the level of their ignorance. I don’t know D’s story, but here’s a little of mine. My “Jew” Grandmother was buried alive (to save bullets) by the Germans. My father was spared by some miracle, and served heroically in Britain’s Royal Air Force. The other side of the family was part of the hundreds of thousands of Jews who had their homes taken from them by Syria, Iraq, Egypt and other Arab dictatorships.

Here’s the story for you, DNA. There is a 60 year old Jewish phrase – “Never Again!” It’s a code of conduct that varies with the circumstances a Jew finds themselves in.

Never again will Jews not defend themselves.
Never again will they allow terrorists to treat Jews the way the Arabs murder the Muslims of Darfour and enslave the Mauritanians.
Never again will Jews believe the propaganda that terrorists have no other choice, when the world has as proof the return of Egyptian territory in exchange for peace.
Never again will I allow someone like DNA to toss out offensive phrases without a response.

Finally, I’d like to set the record straight on “Pro-Jew” movies and the Academy Awards:

2004 – No Jews
“MILLION DOLLAR BABY,” “The Aviator,” “Finding Neverland,” “Ray,” “Sideways”

2003 – Another good year for DNA
“THE LORD OF THE RINGS, THE RETURN OF THE KING,” “Lost In Translation,” “Master and Commander: The Far Side of the World,” “Mystic River,” “Seabiscuit”

2002 DNA should look at it a different way – One Jew may have survived, but all the rest didn’t.
“CHICAGO,” “Gangs of New York,” “The Hours,” “The Lord of the Rings: The Two Towers,” “The Pianist”

2001 – Odd accents, but no Yiddish.
“A BEAUTIFUL MIND,” “Gosford Park,” “In the Bedroom,” “The Lord of the Rings: The Fellowship of the Ring,” “Moulin Rouge”

2000 – Sorry, but Brockovich is a Catholic name.
“GLADIATOR,” “Chocolat,” “Crouching Tiger, Hidden Dragon,” “Erin Brockovich,” “Traffic”

1999 – DNA has another peaceful year at the movies.
“AMERICAN BEAUTY”, “The Cider House Rules”, “The Green Mile”, “The Insider”, “The Sixth Sense”

1998 – If a death camp movie is “Pro-Jew”… (D – see suggestion for 2002)
SHAKESPEARE IN LOVE, “Elizabeth”, “Life is Beautiful” (Best Foreign Language Film winner), “Saving Private Ryan”, “The Thin Red Line”

1997 – Jew-Free
“TITANIC”, “L.A. Confidential”, “As Good As It Gets”, “Good Will Hunting”, “The Full Monty”

1996 – One for DNA – German Spy in WW2 wins academy award. Does that factor out a Pro-Jew movie?
“THE ENGLISH PATIENT”, “Fargo”, “Jerry Maguire”, “Secrets and Lies”, “Shine”

1995 – Second for DNA – another like-thinking Jew Hater wins for best picture.
“BRAVEHEART”, “Apollo 13″, “Babe”, “Il Postino”, “Sense and Sensibility”

I think the difference or problem with Indian directors are theyre trying hard to do so many things when making a movie, whereas good western/ foreign directors just Direct and leave the screenplay, script, story to somebody else. Ofcourse again, western directors dont make 30 day movies, they plan for years sometimes.

As much as I’d like to see MR bounce back like Speilberg, I think it’d be a bit unfair to compare the two. MR would usually build a film from A to Z whereas Speilberg would be handed bound scripts to choose from before filming! I wonder if that level of professionalism would come to our film industry.

Anyway, can’t wait for Munich.

Gp, its anybody’s guess why the Malaysian govt. wouldn’t want the film to be seen by their people!! It has that taboo word – Isarel!!! Hmm…Its sad though…

http://www.domeafavorbuddy.com/beta/favorfull.asp?id=234&catid=34

John Williams has been good, i’m not going to say otherwise. I enjoy some of his work too, but I think he has been to sappy and generic of late. SW EP 3 was a rehash of Minority Report, WOW was a rehash of Jurassic in many ways.

John Williams as far as im concerned is memorable in trademark ways – but affecting, hardly.

Thanks,

Docs Dope

If they want to set a historical backdrop, usually art and music should be authentic. hence you might get a feel of them being copied but it depends on the MD’s talent to bring those times.

And I’ve been a huge fan of John Williams since ET times and I think he is one of the best film music directors. Spielberg cant afford to miss him and yes as ram said, Catch me if you can was classy. donno why you disliked it.